Opera singer and Strange Bedfellow, Kanen Breen, has been up to his famous shoe tricks again. He's submitted this week's creation from sunny Perth, where he reports that hotel crafts completely rock. He says he can't sleep in work accommodation unless there's a liberal sprinkling of sequins, paint and glue on the carpet (can you imagine how popular he is with the cleaners?).
He bought these hideous shoes for $5 and dragged them across the Nullarbor with the express purpose of a cheeky debazzling, and - voila! Given the fact that people are stopping to stare at his sparkly specs, he expects these little lovelies to stop traffic.
'You know the drill,' he said. 'Paint, glue, sequins, RESULT!'
He forgot his masking tape so the lines aren't as crisp as previous efforts, but they'll get Kanen through the next twelve days in the style to which he's become accustomed, and may even form part of his artsy/casual opening night look if they don't fall apart first (they're not exactly a sturdy shoe).
Kanen says he has an enormous week ahead of him and he wonders what on earth he's going to create during the cracks in his crazy schedule. Hopefully no shoes, he says, but he makes no promises. Just as well. There's an unlikely promise if ever I've heard one.
South African born writer, florist and cake whizz, Keryn Clark, has survived the arduous process of moving, and is busy in her new Gold Coast home, setting up her florist shop. She spent time in Melbourne and Sydney when she first left Perth to set up supply chains and have a look around. While she was there, she created a photo story of her travels.
Her story began with a house sporting a beard - Hipster House, she's called it.
She walked from St Kilda to South Yarra and beyond looking for flower shops. Some wouldn't let her take photos so she had to go undercover to get these snaps. She saw these places as oases in an urban landscape.
The Victorian building squashed between the pop-up and fast food outlets somewhere near Chapel Road reminded Keryn of bloated decrepitude. And the urban art she found struck her as 'voices from the underground'.
Keryn has (cleverly) named the last two houses Monobrow and Opposites Attract. Love it!
Classical oboist and textile designer, Telena Routh, has continued with her jewellery theme, creating felt dreadlocks of different lengths and widths.
Inspired by a photo in the Good Weekend magazine a few weeks ago, she's created two necklaces with a chain-like effect. The darker of the two was made with lots of short felt ropes, the lighter was made from a very long dreadlock that Telena looped around itself.
The final necklace combines five thin felt ropes. It's fastened with a clasp, which means it can be worn in a variety of ways - as it falls, twisted or knotted (see photos below).
Telena says she's been enjoying making smaller pieces lately, but she's also planning some larger pieces. School went back last week, so she's been busy teaching again, and arranging music on Sibelius. Felting time just got that bit more scarce, but I'm sure that won't hold her back.
Trish Urquhart, who runs Allaboutwriting, works as a documentary producer for Left-Eye Productions, and tries her best to live up to the title chef extraordinaire, has been busy on a number of creative fronts this past week.
She's making a set of refurbished curtains for their rental unit. The original curtains were made by Richard's mother in 1965. Trish has re-lined them, as the fifty year old lining was totally rotten on the edges. And she cut off the old tops, threw away the rotten tape, and made a new tab top to replace the old, damaged pieces.
Trish also made an ostrich frittata, using an ostrich egg that novelist Jo-Anne Richards bought in Calvinia on her drive to Johannesburg from Cape Town. She made it with prawns, basil, red onions and gruyere, and Trish reports that it was delicious. To see more of Trish's exciting food adventures, visit her fabulous food blog.
Singer, guitarist and song writer, Georgia Bennett, has had a demanding week. She's been sick with a virus that spread through the family with the impressive efficiency of falling dominoes, and she started at a new college on Monday as well.
Nevertheless, she found the energy to make a delicious tomato sauce on Friday afternoon using tomatoes and oregano from our garden. The tomatoes were a mixed batch - all organic and open-pollinated, with a number of heirloom varieties in the mix. The end result was as delicious as it was colourful.
If you think it looks like the tomatoes weren't skinned, you're right, and I'm to blame for that culinary heresy. I attempted to make an authentic sauce once, painstakingly pealing all the tomatoes, and decided - long before the task was done - that life was too short. Ever the pragmatist, I've taught Georgia to make fresh tomato sauce with the skins intact - which makes sauce-making a quick and easy job - and we blitz the end result in a powerful blender. No one who tastes it is any the wiser.
Stephen Bennett has made a video that is - in his words - truly dreadful. As a neophyte movie producer he came up with the idea of an exciting, gut wrenching thriller called the Kiss of the Carrot, starring Duke and Velvie, with a support cast of extras from Paddock 2.
Things he thinks he learnt in the process:
- Learn how to turn the video camera on to record. The red light means it's recording and the green light means it's not. He got this basic concept wrong for a total of 32 takes.
- Make sure the microphone is out and working, and use the wind shield when filming en plein air.
- Don't try and make a film while feeding horses by yourself.
- Don't use daggy scene transitions from the software package.
He feels that his future as the next Fellini is imminent, so he's decided to show his first picture warts and all as a point of reference for future blockbusters.
This short one-acter comes with a warning - it really is awful.
I made some old style jewellery this week - just trinkets really - for the fun of it. The resin wasn't even dry, however, before the pieces were claimed. Hannah and Georgia have adopted these pendants and I'm delighted they've gone to such worthy homes. I'll probably play around some more with these techniques. They're a relaxing antidote to an overly busy work week and the end result reminds me of a much loved (deceased) grandmother.